A character sketch is a guide, quest, and even a short story, essential for any writer of any kind. You want to develop a consistent, realistic character early on so you know how they’re going to behave in any situation.

The best stories feature characters that drive the plot, rather than a plot that drives the characters, but that’s only possible if you know who your characters are.

Method one

Brainstorming characters

1. Start writing freely about your character. There is no right way to start a character sketch, as characters can pop into your head in so many ways. You might start by seeing what they look like, you can think about the profession or type of role you want to take on, or you can decide to use someone you know as a character. When designing a character, allow some time to let your imagination work, find your initial image of the character and take off from there.

You are not bound by any of these initial sketches – you can easily throw them all away. Like all brainstorming exercises, the point is to start finding ideas that you like.

2. Confirm the basic appearance description of the character. It’s much easier to think in intuitive, concrete terms than to throw together abstract concepts like “friendliness” or “intelligence.” Most writers and readers usually need some kind of character image that they can relate to. If you’re artistically inclined, you can even draw your character’s basic features first. Even with little description in the final book, film, or play (“young white male”), character sketches may include:

• approximate age
• gender
• Approximate height and weight
• General ethnic background ( i.e. “tall blond Scandinavian type”)
• Define physical characteristics (hair, grooming, glasses, typical clothing, etc.)

3. Think about your character’s overall mood and feelings. Complex characters display a wide range of emotions, but almost all characters can be reduced to 1-2 basic emotions. How does your personality see life in general: optimistic, greedy, humorous, angry, forgetful, considerate, timid, creative, analytical? When writing this character, you need a simple signpost—a starting point that allows you to explore other, more complex emotions as you begin writing.

How do they face difficulties? Are they strong or weak in the world? Are they making themselves vulnerable, or invulnerable?

What makes them happy sad? angry?

Sometimes authors portray their characters through the lens of psychological profiles—for example, whether they are extroverted or introverted.

4. Give your character a name. Sometimes the name comes easily. Sometimes this is the hardest part of a role to pin down. While names may change throughout the writing process, there are a few different paths one can take when naming characters:

Search the internet for baby name sites such as Behind the Name or Nameberry . Most of these sites also categorize names by ethnicity, such as Japanese, Arab, French, Russian, Hawaiian, Indian, etc.

Choose meaningful names. While this is a bit dated for modern literature and film, there is a rich history of cunning or meaningful character names. See Scarlett’s Letters or Arrested Development for various humorous or insightful names .

5. Identify the character’s relationship to the story, world, or main characters. Why is this character important to your book or novel? If you’re writing a character sketch about someone, it usually means they’re vital to your story, as secondary characters rarely need a character sketch. What is their relationship to the main character? How are they involved in the story? How do you feel about their contribution to the novel?

Again, this doesn’t have to be set in stone. Many writers use this space to brainstorm possible plots, conflicts, or uses a character might have.

6. Develop your character’s backstory . It gives depth to your character and allows the reader to learn more about where they are coming from. Where did they grow up? What were their parents like? You may never use this information again, but as an author, you need to know these things in order to write with a believable voice. Just thinking about their childhood will tell you something about their accents, values, philosophies (or lack thereof), and more. If you’re struggling to come up with a backstory , start with a simple question. How did the characters get to where they were when the story began?

Think of a friend or acquaintance who has a personality similar to yours. What is their background ? Read biographies or real-life sketches for inspiration.

7. Find your character’s primary motivation. The main thing is to know what drives your characters, because in the story they are not just a compilation of personality and physical descriptions. They are souls traveling through the world. What does your character want most? What led or motivated them to take action? This could be their principles, goals, fears or responsibilities. The best characters have agency. This means they take steps to get what they want, rather than simply reacting to the world around them. That doesn’t mean you can’t have lazy or simplistic characters— the Dude from The Big Lebowski just wants to relax, after all. Don’t mistake the desire to stay the same for a lack of desire – all characters want something that will drive them through the story.

• What are they afraid of?
• what do they want
• If you asked your character, ” Where do you want to be in five years,” what would they say?

8 Fill in any other details that pop into your head. This will change based on your story. What details about the characters set them apart? How are they different from other characters and how are they similar? This information may not make it into the final project, but it can help you develop a fuller, rounded character. Some places you might start include:

• What are their favorite books, movies and/or music?
• What would they do if they won the lottery ?
• What is their major in university?
• If they could have superpowers, what would they be?
• Who is their hero?

9. Distill the character’s personality into a sentence or two. Consider a dissertation for this role. This will be the overall distillation of your character, and everything your character does should be a reflection of that statement. If you’re not sure how a character would react to a situation, you can always come back to this succinct description to guide you. Check out some examples in literature and television for guidance.

Ron Swanson (Parks and Rec ): An old-school libertarian who works for the government and wants to overthrow the government from within.

Jay Gatsby (The Great Gatsby): A self-made millionaire who made his fortune winning the love of his childhood sweetheart, with whom he is obsessed.

Erin Brockovich : A confident single mom willing to fight for what’s right, even when it’s not in her best interest.

Method Two

Use your character sketch

1. Your entire character sketch won’t make it into your project. At the end of the day, a character sketch is just a guide for your writing. If you know the underlying forces that shape and shape your character, you can confidently write them into every situation without having to tell the reader everything about them.

Bits and bits of backstory , but in the end you’ll know they’re the sum of their experiences.

Readers don’t need to know everything about a character to understand them, just as we don’t need to know everything about our friends to enjoy their company.

2. Illuminate your character through action as much as possible. Your character sketch is a list — informative, but not exciting. Actions are exciting, and they can show off a character without resorting to “This is Nick, he’s a writer who likes football and hangs out with his friends.” Instead, let Nick play football, maybe slacking off on the field, Or sit and chat when he should be dribbling. Find a fun, unique way to illuminate a character’s inner life instead of just talking it out.

Think of some masterful introductions — Hannibal in The Silence of the Lambs, Jung Do in The Orphan’s Son, Lolita in Lolita — and see how actions speak louder than words.

3. Ask yourself why the character behaves the way you do. This is the best way to transfer a successful character from the character sheet into the story. You know what they look like, how they talk, what they do. To really make a character effective, you need to explore why they are the way they are. The answer to this question will guide you through each scene in which your character appears and help you fine-tune your character sketches as you write new episodes and storylines .

Character sketches can be changed. As you write, you may realize that you’ve done something wrong, or that you need to adjust your personality. Figuring out these changes is a lot easier if you know the overall “why” of the character.

4. Write a “representative event” story about your character. It sounds complicated, but you’ve actually seen it hundreds of times before. A representative event is simply a short story that shows the reader who the character is. Usually, they appear shortly after the characters are first introduced, and may be flashbacks. This allows you to learn about their upbringing and show how they cope with stress.

Often this event is connected to a larger story. For example, a romance book might explore a character’s first love, or an action story might showcase recent quests or events.

Try to show a story that hints at how the characters will react to the events in the story.

If you’re struggling, imagine your story as this person being the main character. What details do they think are important?

5. Discover the character’s voice. Look at your character sketches and ask yourself how the characters communicate through practice dialogue. Have them talk to your protagonist or other characters, and focus on making their lines seem unique. What slang do they use? Do they talk with their hands? Great writers have a way of embodying their characters, so their speech patterns bring their backgrounds to life.

If you remove all dialogue labels (“he said”, “she answered”, “Kyla asked”, etc.), can you tell which character is which?

6. Use the first time you see a character to introduce their overall impact. Readers and viewers will always remember first impressions of characters. This impression should fit perfectly with the behavior of the characters in the rest of the story. For example, if a character is usually sweet and kind, don’t introduce her screaming at someone because she was in a bad mood today. If the hidden temper was part of her character, this could be perfect; but if it’s an isolated incident that doesn’t push the plot further, it just confuses the reader when she’s fine with the rest of the story .

How would the characters introduce themselves at a party or meeting?

If you met this character in real life, what would be your first impression of them?

7. If you’re preparing a treat, keep your character sketches short and sweet. A handle is a short overview of a book, movie, or TV show used to sell a story. They contain an overview of the plot, its tone, and character descriptions. If you’re writing an essay, whittle down your character sketches to the bare essentials. You don’t want to share all the bizarre facts with the producer or publisher, just enough to pique their interest and give a general overview. Include only the main points, plus 1-2 short details to make the character unique. You should include:

• Name
• Relationship to plot/protagonist.
• Details related to the plot.

It’s pretty easy to draw something even if you’re not an artist if you know the right stuff. Here’s some information on sketching your best fashion designs like a designer.

1. Buy a good set of templates. After practicing for a while, you’ll find that the best technique is to start with light, rough pencil drawings.
2. Once you get used to the template, you can start drawing without it. Try drawing the body first and then the clothes on the body. This helps you draw to scale and makes it easier.

Colored pencils are the perfect tool for sketching. Colors do add to your designs, even if they are simple. Don’t forget about really different patterns, even if they’re just navy stripes or a neat Aztec print.

3. Having several sketchbooks on hand will help keep everything organized, but a file folder will do just as well. It’s nice to have something to keep track of the design.
4. When the sketch is complete, you can choose to create the entire line with the same style. Then I came up with a title that listed each model’s outfit.
5. Some pretty finishing touches are hairstyles to go with the outfits and don’t forget the accessories.

Don’t have time for elaborate, perfectly shaded drawings? If you’re just bored with nothing to do, or you like to draw but don’t like fancy things, you should sketch. Sketching is a great way to express your feelings or create a quick doodle.

This is not intended to be a comprehensive in-depth drawing guide, as there are absolutely no rules for drawing/sketching. These are just a few tips to make your sketching experience fast, least painful, and fun. I hope you enjoyed my guide and found it useful.

1. First, think of a sketch of your plan. Picture it in your head, and if you can, rotate it in your head to get a better understanding of what you’re about to draw.
2. Find shapes like circles, squares, triangles, etc. related to. This will help with the shading process and even help you draw better sketches if you understand the basic shapes to draw.
3. Position yourself comfortably. If you’re uncomfortable, your painting will look worse than it should, so find a nice chair, fix the lighting and put on some favorite music.
4. Good Hands: How does this help? If your hands are sticky, wet or cold, your hands won’t perform as well as they should.
5. Position your paper: This comes with comfort, so place your paper at an angle you feel comfortable with. There is no set method.
6. If your item is small, place it in front of you where it can be effectively sketched. If it’s something big, like a car or a tree, grab a clipboard, sit down, and start sketching.
7. Start drawing.
8. Starting from one side of the object , use the pencil to draw soft strokes lightly back and forth across the paper, briskly. If you make a mistake, then you can easily wipe off the light wire.
9. Be sure to always look up your subject and compare the two. Don’t do blind outlines (trying to stare at your subject while drawing) , while this is good for practicing drawing, it distorts your drawing very badly.
10. Don’t be afraid to use an eraser. If you think you’ve drawn lines that are too close or too far away, erase them. Too many sketch lines on a drawing can make your drawing look distorted. Crossing the same line multiple times will darken it and make it harder to erase if you think it’s wrong.
11. Finishing touch: After finishing, if necessary, you can pick up the eraser to remove the outlined lines. For added value, shade them on your sketch in darker shaded parts of the objects you’re drawing. From very dark, gradually brightening to very bright shades.
12. To add more spice, add a poorly sketched (but not bad looking) background. It will make your drawing look better and add some theme to it.
13. Add your signature! Traditionally, after the sketch, the artist would lightly add their signature (yes, cursive) to the bottom right corner of their drawing. You can also add something like ’13 to it if you want.

Have you ever wanted to draw”nothingness”? These abstract paintings don’t have any specific intentions but instead reveal your artistic inspiration – they are completely moved by your creative spirit.

It’s hard to pinpoint exactly what the void should be, since that’s up to you (the artist!), but some ideas or guidelines would certainly help. In this article, we’ll show you how to experiment with abstract lines and overlapping circles to create your own abstract artwork. let’s start!

Method one

Draw random lines

1. Start with a blank canvas. In this case, a simple blank sheet of paper. (See What You’ll Need for size recommendations.)
2. Draw on the canvas with random lines that split the white space as much as possible. Send those lines all the way across the page. Don’t leave anything cut off in the middle of the paper, but keep drawing lines from side to side, without end.
3. Fill some shapes that appear in the area between all the lines. Go ahead and use your pencil. There is no pattern to follow; just make it an option block in one part of the canvas.
4. Fill in most of the remaining shapes. Use random patterns and stuff like that. It is best to choose a large shape, but you are also free to use small ones. However, the important nature of nothingness is to always follow a random pattern, letting the randomness determine the form for you.
5. Simply put a cross in it to fill in the rest. Go ahead – try it out; it might not look like a good idea, but it will look great.

Method Two

Use overlapping circles

1. Find something small and round. For example, a mug or a roll of tape . Also use a Sharpie with fine and regular tips throughout the project; it makes it pop more than a pen or pencil.
2. A circle with multiple overlapping areas is drawn multiple times.
3. Blacken some non-contact areas of your choice.
4. Fill the rest of the space with a pattern. Make sure no single pattern touches the same pattern.
5. Fill the pattern area alternately with the background, from black to white, so that the pattern on the black background touches the pattern on the white background.
6. Done. Apply any finishing touches you think are needed.

Pointillism is a type of drawing that involves creating shapes and images by making many small dots on a sheet of paper. Similar to creating real-life “pixels,” stippling is a fun form of drawing that’s fun for anyone and everyone. If you’re looking for a new challenge or just a creative way to spend a few hours, try stipple size.

Method one

Prepare your project

1. Assess the image you are rebuilding. While you can certainly create stipple drawings from imaginary images, it’s much easier to use hard copies to check as you draw. In addition to figuring out where people and objects fit into your composition, there are a few other important elements you’ll want to look for. With your drawing in front of you, look for:

The light source and the direction of the light. The light will determine which areas need more stippling and which need less.

value of drawings. This is where each color (or shade) resides on a grayscale image – how dark or light it is. Value is tied to light.

shape in the figure. You will create all your figures and objects without using any lines, so pay attention to the shapes that make up your figures and recreate them using stippling.

2. Decide on your medium. Because stippling is simply the process of creating hundreds of tiny dots that make up an image, you can use many different media to create these dots. Higher quality stippling has more dots per square inch, which means they are made with drawing implements that allow very small dots to be made. Keep this in mind, because while you can use almost any medium you want to create your images on, the smaller your markers can be made, the more realistic your images will look. Possible stippling media include:

A fine-tipped pen. Most artists who do high-quality stippling use fountain pens with 0.03 or 0.005 inch (0.0 cm) nibs. This allows for tiny dots and lots of shading.

Pencils – colored or other colors. Although using a pencil may smudge the graphite and mix the colors, you can use it to create small dots. Colored pencils are less likely to smudge than graphite and will add a little interest (and difficulty) to your images.

painting. Paint is often considered the most difficult stippling medium because it is much easier to accidentally create strokes/lines than with a pen or pencil.

3. Determine the density of points. Before you start making any dots, you need to decide how densely to draw them. More detailed images can be produced with a higher density of dots. Keep in mind that images with a lot of dark values will require more stippling than images with a lot of light. Try drawing a set of dots on a strip of paper, creating different shades of gray (or colors, if you’re using colored pencils) by spacing the dots apart by varying amounts. You can then refer to this paper when creating your final project.

The higher the density of dots, the more time it will take to reconstruct the image.

If you don’t want to invest a lot of time in your project but still need dark values, try using a pen with a larger nib (such as a .1) or a different medium that creates larger spots.

Method Two

Stipple image

1. Select a starting point. Review the original image to decide where on the drawing you will start stippling. Usually, it’s easiest to choose the darkest point in the drawing. That’s because you have more room for error in the dark parts, since you can add more points to cover up anything you might be doing wrong.
2. Start stippling. Carefully lift the pen (or other utensil) and press it against the paper. The closer the dots are placed, the darker the area on the paper will appear. Start with the darkest point and work your way around the image, filling in all dark areas. Finally, start adding brighter areas by adding points that are farther apart from each other. When stippling, remember to:

Keep all points evenly spaced. Although you can place some points close together and others far apart, the finished work will look more attractive if the points are evenly spaced.

Avoid making dashes. Nothing ruins your stippling project faster than adding dashes instead of dots. Be sure to lift the pen (or other utensil) completely off the paper before putting it down.

Move slowly. Speed is not your friend when stippling. You are much more likely to make major mistakes if you work quickly than if you are patient and take your time. Stippling is a very time-consuming exercise, so be prepared to devote hours (or weeks!) to one project.

3. Add details. As the main shapes start to emerge, start adding small dots to the pattern to create lines and shapes. From a distance, the points look like lines. Take a closer look and you’ll see them for what they really are. You can also choose to start stippling your image with a more dramatic pattern. For example, stippling all points in a row/column or diagonal. These patterns are only noticeably visible in close-ups and in brighter (emptier) spaces.

Shadows have to be stippled more to create darkness.

Light areas should have the smallest stippling and highest lights, called untouched highlights on the white paper.

4. Finish your project. Stippling can take a long time to complete, so don’t rush it. However, when you think you’ve done your work, step back and look at it from a distance. The real test of pointillism is its ability to create shapes and figures from a distance, not just when you’re standing close. If your stippling is dense, from a distance the dots should look like painted shapes, not just dots.

This tutorial provides a basic method for teaching young or inexperienced artists to use graphite and eventually other media for realistic shading. Let’s start!

1. Know that a 3D drawing can still look flat or 2D without the aid of shading.
2. Use a gray shadow layer. If we imagine a light source in the upper left corner of the image, we can simulate a three-dimensional object by adding different layers of gray (one darker than the other). Start with the lightest gray or white along the areas closest to the light. You can use various shades of pencils or a coloring tool to create this effect.
3. Blend to increase the volume of the object. If you blend gray layers together where each shade intersects, it can further simulate the look of volume and solidity.
4. Try to shade with lines. This effect can also be done using pen and ink, by drawing intersecting lines on top of each other to simulate the look and layers of shadows from light to dark. This is often used in illustrations and manga. In other print media, the printing process uses “halftone” printing, which is the printing of small dots of different sizes to simulate shadows.
5. Below is an example of coloring with various gray layers. The sketch used here was created using the image of the actress Meera Jovovich . The image was drawn using a very dark rough pencil, and only the darkest parts of the image were drawn.
6. Use white to distinguish. Leave the brightest parts of the image white, and color the rest of the sketch using the Light Shading tool.
7. Use a slightly darker shader tool to shade the next darker area of the image.
8. Shade the darkest areas of the image using the darker shader tool.
9. Use the blend tool to blend the edges of each shadow. The final image now has a 3D look like a photo.

Drawing with charcoal is a popular medium that can create stunning three-dimensional and versatile works of art.

Whether you’re new to the art world or exploring other mediums, drawing with charcoal can take some time to get the hang of, but can eventually help you master other art forms. It’s as easy as choosing a material, learning how to hold charcoal, and creating a painting.

Part 1

Choose your material

1. Choose from a variety of soft and hard charcoal. Just like any other art medium, charcoal comes in many varieties. However, each type of charcoal is classified according to whether it is hard or soft. Harder charcoals produce lighter clean edges, while softer charcoals are better for blending and creating deeper lines.

Compressed Charcoal Stick is a hard charcoal that is great for creating darker lines. Compressed charcoal also comes in white to help with highlighting.

Soft charcoal is great for blending and creating smudges throughout the composition. However, these are some of the most difficult charcoals to work with.

Use powdered charcoal for a lighter look if you’re toning larger areas. However, it’s often very messy.

2. Choose plain white, charcoal, or colored paper. When it comes to paper, there are a variety of options. Choosing the right paper for your work can take some trial and error. Experiment with several different paper styles and charcoal hardnesses to choose what works best for you.

Plain white paper, newsprint, cardboard , and illustration board are good choices for flowing drawings. Plain white paper is also easy to create natural highlights because the gray or white of the paper combines with the color of the charcoal.

Charcoal, pastel, and watercolor papers have a finely ribbed texture that helps create sharper lines.

Toned paper that requires you to use both white and black charcoal.

3. Purchase erasers, mixing stumps and/or white chalk. The kneaded eraser can completely erase chalk. These, along with blending stumps and white chalk, can also be used to help create shadows and highlights in your drawings.
4. If you’re just starting out, work at an easel. Drawing with charcoal can be tricky to master because any accidental contact you make with your charcoal drawing can cause it to smudge. Start by working in an area where you can keep the drawing vertical and in an area that is well lit.

You should always choose a well-lit area as charcoal drawing is on the darker side and it can be difficult to see highlights, shadows and details of the drawing.

5. Pick up the fixative to hold the charcoal in place. “Fixing” your drawing when you’re done will keep dust from getting on the charcoal. Fixative comes in the form of a spray, which is applied by spritzing it onto your work.

Fixatives are of two types, final and viable. Many artists use workable spray because you can make small changes to the work after restoration. You cannot change your job after using the final fixative.

You can use hairspray as a substitute, but be careful as it will darken your drawing surface a bit.

Part 2

Holding charcoal

1. Hold the charcoal like a pencil to get a sharp edge. If you want to create defined lines and edges, your best bet is to hold it like you would normally hold a pencil. This stroke allows you to ensure that only the charcoal dots are in contact with the paper.

Apply more pressure to your strokes for a firm, darker line.

2. Lay charcoal on its side to create wider strokes. The easiest way to do this is to hold the charcoal between your thumb and forefinger, palm down. This allows you to create wider strokes without smudging your artwork.

Use wide swiping motions to fill larger areas on the paper.

3. Let your shoulders and elbows guide your stroke. One of the hardest parts of learning to draw with charcoal is keeping your wrists away from the page. Try using your shoulders and elbows instead of your wrists for your strokes to give yourself a greater range of motion and avoid accidentally smudging your work.

Part 3

Create your drawing

1. Use charcoal to draw any geometric shape. Everything contains geometric shapes. The easiest way to start drawing with charcoal is to identify basic shapes and lightly outline them in your drawing.

If you’re drawing a subject, be sure to sketch the entire character or scene before moving on to individual details. For example, if you’re drawing a face, start with a round or square outline. Or use an oval to start drawing the vase.

Charcoal is great for basic sketches.

Mark any high-contrast areas with lines. If you’re drawing a face, outline the eyes, mouth, and nose to allow yourself to better outline your subject.

2. Use compressed charcoal to add defined edges to your drawings. After you’ve sketched the main shapes, go back and add more realistic features. Make sure to revisit your artwork and sharpen the edges to help define each area of the drawing.

Use the kneaded eraser to sharpen the outline of the subject.

3. Smudge charcoal with blended stumps to add shading. Charcoal is great for creating three-dimensional shapes and bringing your creations to life. To add these shadows, use a roll-up paper or your fingers to apply and blend charcoal.

Apply to areas around the contours of the face to add dimension, such as the crease of the nose. You can also use smudges to create the texture of the flowers.

4. Use the eraser to create a range of dark and light colors. Kneading erasers are great because they can be used as a smudging or blending tool. If your subject has a brighter area, you should surround it with a darker background, and vice versa.

You can use the eraser to pull out the whites to create contrast and highlight darker areas.

If you don’t want to rub off the charcoal to create highlights, you can use chalk or conte crayons.

Conte crayons come in black and white to enhance your drawings.

5. Use a soft pencil to shade your drawing to make it more realistic. Hatching is a great technique to shade out wider areas. You can use circles , outline shading, or crosshatching to create realistic skin.
6. Spray the fixative on your drawing to hold the charcoal in place. You always want to be in a well-ventilated area before applying a fixative. Keep the jar no more than 1 foot (12 inches) from your drawing. Spray the fixative all over the painting and let it dry completely.

If you still notice dust on your charcoal drawing, reapply the fixative.

If you want to know how to doodle, here’s how to do it.

Part 1

Learn the basics of doodling

1. Have the right tools. If you want to be a master of graffiti, then you should be ready to doodle anytime, anywhere. Inspiration—or boredom—can strike at any time, and not just in your third history class, so you should always be ready to start doodling. You should take a notebook and some tools with you. You can start with a few basic tools and use more artistic tools as your doodling skills improve. Here are some great doodling tools:

• Simple Supplies:
  • pencil
  • fountain pen
  • highlighter
  • mark
  • ballpoint pen
• Art Supplies:
  • charcoal
  • chalk
  • colored pencils
  • painting
  • pastels

2. Get inspired. Once you get the urge to doodle, put pen to paper and start. Whether you’re thinking of an action, an event, a feeling, a person, a place, a song, or even your own name, you should put pen to paper and start drawing to see you Can think of anything. When the urge to doodle hits, don’t ignore it (unless it’s not for you), or the feeling may pass.

You’ll find that you can also be inspired when you start doodling. You don’t have to wait to be told what it’s like to doodle – you can start doodling and feel the inspiration seeping through your pores.

3. Free association. You don’t have to stick to just doodles of flowers, puppies, or your own last name. You can start with a doodle garden, then think of your best friend Mary Flowers, and start drawing her pet poodle, Pork Chop, which will remind you of the delicious pork chop dinner you had last night…just start with a picture And keep drawing whatever pops into your head.

You don’t have to stick to one theme or concept. No one will judge you – most likely no one will even see your doodles, so feel free to draw whatever you want.

Try to think about what you want to convey with your doodle. Then, consider different materials and techniques that can help you realize that idea.

Try it out and always remember: there is no right or wrong art.

Part 2

Doodle various objects

1. Doodle flowers. Flowers are a popular doodle item because the types of flowers are endless and they are fun and easy to draw. Here are some ways to draw flowers:

• Paint a vase and fill it with your own bouquet of flowers.
• Draw a garden full of exotic flowers and plants.
• Draw a field of sunflowers with the sun shining down on them.
• Draw a rose bush surrounded by rose petals.
• Install Draw daisies. Scratch out some petals and play “He loves me, he doesn’t love me”.
• Write your own name or another word with simple flowers.

2. Graffiti face. Drawing a face is more complicated than most flowers, but when you really learn how to draw a face, you will feel very rewarded. You can draw the face of your teacher or classmate, or draw a random face for fun. Here are some other ways to doodle faces:

Practice drawing almost the same face with different expressions. This will help you understand the faces you are doodling.

Doodle a face of someone you remember knowing, whether it’s someone you like or a favorite celebrity. Later, you can compare your doodles to real people to see how well you did.

Doodle part of the face. Draw a full page of eyeballs, lips or noses and see how much you learn.

Doodle comics. Draw a face with silly, exaggerated features.

3. Doodle your name. Your name is another popular doodle. There are many ways to doodle your name, whether you’re writing it the same way over and over, or writing your name in a new way each time. Here are some ways to doodle your name:

Write your name in cursive. Try writing it with exaggerated loops.

Try to keep your name as small as possible while still being legible.

Write down variations of your first, middle, or last name in an initial form. For example: “Jean M. Carmen”, “JM Carmen”, or “Jean Marie C”.

Write your first name and your crush’s last name. This will help you know if you are a match made in heaven.

Write your name in block letters. Decorate letter blocks with vines, stars, planets or hearts.

Write your name in bubble letters. Let soap bubbles rise from your name.

4. Doodle animals. Animals are another fun doodle object, and the possibilities for covering your page with cute or scary animals are endless. You can paint your pet dog, create your own creatures, and even turn an ordinary kitten into a monster. Here are some other ways to doodle animals:

Doodle underwater creatures. Draw an ocean and put every underwater creature you can think of, from jellyfish to sharks, in this fun seascape.

Install Doodle Jungle Creatures. Create your own jungle with parakeets, monkeys, snakes and any jungle creature you can think of.

Turn normal creatures into monsters. Doodle a set of cute kittens, puppies and bunnies, then have fun filling them with fangs, evil eyes and devil horns.

Doodle your favorite pets. Are you obsessed with your dog? Draw various cute poses.

Doodle your dream pet. Draw the pet you would most like to have, even if it is completely unrealistic. You can even name him and write his name around him in bubble letters.

Doodle a hybrid creature. Draw a dog with a sheep’s head, a leopard with a peacock’s tail, or a fish with an alligator’s mouth.

5. Doodle what you see. Feel free to doodle everything in front of you, whether it’s teachers, classmates, blackboard or the world outside the classroom. You can discover a lot of creativity in the ordinary objects in front of you. Here are some other things to doodle on:

• what’s in your pencil case
• teacher face expression
• cloud or sun outside the window
• the tree outside your window
• anything hanging on the wall in front of you
• your other hand

6. Doodle what you hear. A fun way to free association while doodling is to listen to what your teacher or those around you have to say, and doodle what you hear. Here are some ways to doodle what you hear:

Doodle a historical figure. If your teacher is talking about George Washington, draw him in various poses.

Doodle someone you’ve never met. If you hear two people discussing someone with a funny name, imagine what he would look like and draw him.

Doodle a concept. What do you think when your teacher says “embargo” or “bell curve” ? You don’t have to doodle the actual content of the object – just doodle what it lets you picture in your mind.

Doodle a song. Has anyone ever walked into a classroom with that song that always haunts your head blaring through their headphones? Draw whatever the song makes you think of.

7. Graffiti cityscape. Cityscape doodles are fun and perfect for the bottom or top margin of a page. Draw a cityscape on top of a notebook page and have fun adding all the little details that make it unique. Here are some things you can do while doodling your cityscape:

Stay up late The city looks most beautiful at night, so paint a full moon and shade the sky with a dark color.

Paint small windows in all houses. Some will light up, some won’t.

Add more details. Add trees, lights, phone booths, trash cans, and even people walking their dogs on the streets outside of town.

Draw a city you love. Think you know exactly what the New York Cityscape looks like? Try drawing it out and see how accurate you are afterward.

8. Create your own doodle world. As you become a more experienced doodler, you can create your own worlds, with your own people, your own animals, your own buildings, and your own trees. As you become more experienced, your creatures, thoughts and people will begin to take on their own forms and everyone will be able to recognize them as yours.

Once you become a professional doodler, you can spread your love of doodling to others. Become an after-school doodling coach and share your love of doodling with others.

You can even name your world ” Megland ” or “Walt’s World” and write this name on your doodle.

You can create a graffiti collage in your room by sticking the pages on the wall and taking pride in all the doodles you do.